Most of the photographs of bridges I see are taken from the air or otherwise above the bridge. Me, I go down, down, down and look up at the underbelly. This is the Mystic-Tobin Bridge in Boston, the largest in New England.
The Boston Symphony Orchestra was a frequent client for me in the early 80’s when I was first testing the waters of professional photography. I made this shot from a little window in the stage door, just large enough to position a 300mm lens. Absolute silence was required.
Harry Ellis Dickson was named Associate Conductor of the Boston Pops Orchestra in January 1980, and he was also founder, Artistic Director, and Conductor of the Boston Symphony Youth Concerts, as well as a member of the Boston Symphony’s Orchestra’s first violin section.
I recently visited the factory of C.B. Fisk, makers of pipe organs in Gloucester, MA. A team of about twenty seven highly skilled craftspeople build instruments that are close relatives of the organs used by Bach in the 1700’s. Superficially, the workspaces resemble common machine shops and woodworking facilities, but there is more than meets the eye. Built to very tight tolerances, a large organ for a church can take up to six months to complete — and that does not include shipping and assembly. A 1/16 scale model of each organ is built by the shop’s designated model-maker, and each organ is dry-fit in the plant before shipping. Visit my posts about Tippin Guitars, Haynes Flute. S.E. Shires, Co. (brass instruments), and Christoper White Violins.
Not many people know that I photograph swim teams. It takes me back to my junior high school years when I attempted to be a fast breaststroker at the Y on 14th Street, Manhattan. This shot was something of an accident. My strobe didn’t fire and instead of a frozen sports moment I got this impressionistic shot.
In late August I visited S.E. Shires, Co. to photograph the crafting of custom trumpets and trombones.