The Boston Symphony Orchestra was a frequent client for me in the early 80’s when I was first testing the waters of professional photography. I made this shot from a little window in the stage door, just large enough to position a 300mm lens. Absolute silence was required.
Harry Ellis Dickson was named Associate Conductor of the Boston Pops Orchestra in January 1980, and he was also founder, Artistic Director, and Conductor of the Boston Symphony Youth Concerts, as well as a member of the Boston Symphony’s Orchestra’s first violin section.
I’ve been visiting the Parker River National Wildlife Refuge in Newbury, MA since 1980. It’s always the same and different each time. The receding tide is magical. As always, these photographs are available as licensed images for commercial usa, and as custom archival prints for display.
Columbus Day weekend means thousands of leaf-peepers invade The White Mountain National Forest, and I have avoided this weekend for years, until now. And, what a reward! I explored many familiar waterfalls, scenic vistas, and easy trails. Equipped with one Nikon body just two lenses, a pouch of filters, and my new secret weapon — a drone— I managed to avoid most of the traffic, get some good shots and met some nice people. Among those was a Brazilian photographer, and an attractive bridal couple getting their “formals” taken on the Tuckerman Ravine Trail.
Please click on the thumbnails to view the shots full-screen. As always, these photographs are available for licensing or purchase as fine art prints.
I’ve been shopping for superb, fresh, ripe, sustainably farmed produce at Verrill Farm in Concord, MA for over 20 years. Here is a late afternoon view from 200 feet.
Here’s a view of moderately busy Harvard Square. Not the charming, rough edged place it once was, but still worth traversing. What is notable about this pic is that it was taken from the offices of Dewey, Cheatham, and Howe, a “law firm” that had a loose connection to Car Talk on NPR.
On this sunny fall afternoon I ascended to the 3rd floor of the building and found the “law office” occupied by an Ophthalmologist, who offered me an eye exam. He was kind enough to permit me to photograph the street below through his window.
I have long been fascinated with nighttime and lights. This sort of composition would have posed a serious challenge in film days. What you see here is a blend of two photographs in Photoshop.